And Now for Some Music

This piece, from 2007, builds on the work started in Danger in the Air but is more focused on wavering around the boundaries between pitch and texture. I play a corrugated tube (which can produce a harmonic series, but not much else), a radio, a loudspeaker and textured surfaces with a DPA miniature microphone. This all feeds an adaptive Max patch which hovers bewteen being a co-player, an instrument and a (kinda, sorta) composition.

This recording was made at the University of Edinburgh in 2013.