This piece, from 2007, builds on the work started in Danger in the Air but is more focused on wavering around the boundaries between pitch and texture. I play a corrugated tube (which can produce a harmonic series, but not much else), a radio, a loudspeaker and textured surfaces with a DPA miniature microphone. This all feeds an adaptive Max patch which hovers bewteen being a co-player, an instrument and a (kinda, sorta) composition.

This recording was made at the University of Edinburgh in 2013.